Su Shi Editorial Knowledge-Card Prompt

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The original brief asks whether Su Shi would appeal to women today and calls for ten 3:4 social cards. It combines a six-to-eight-column grid, condensed high-contrast headlines and overlapping portrait imagery. Four supplied examples cover the opening question, appeal, creative talents and personality. They illustrate a playful modern interpretation, not a historical likeness or scholarly account; a complete ten-image set and editable PPT are unavailable.

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Prompt

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Build a general-purpose PPT visual system driven by editorial rhythm. Use a modular grid to constrain titles, images and information blocks to six to eight columns. Across pages, vary density to create a continuous reading sequence of giant headline, focal image and detailed information. Use dynamic balance so large lettering and grouped images counterweight each other around an asymmetric axis. Use Itten’s contrast of extension to balance large background fields with small areas of saturated accent color, ensuring a clear first read even in thumbnails.

Draw on Alexey Brodovitch’s bold cropping, changes of scale and pauses of white space for magazine-like storytelling; Josef Müller-Brockmann’s mathematical spacing, baseline order and asymmetric balance for a stable multipage system; and Herb Lubalin’s approach of turning words into the visual framework, letting display type touch edges, cross columns and overlap imagery. These references respectively guide rhythm, structure and the relationship between type and image; do not copy specific letterforms or layout coordinates.

Use replaceable color roles. The background occupies 55–65%, alternating by chapter between a dark, saturated main field and a light, low-chroma quiet field. The main visual occupies 20–30%, with medium-to-high lightness and clear chroma. Information occupies 6–10% and takes the greatest lightness contrast against its background. Accent color occupies 3–5%, using warm–cool opposition and adjacency to create simultaneous contrast. When changing the theme or brand colors, remap background, main visual, information and accent as a group. Preserve the area ratios, lightness order, chroma differences, color-temperature relationships and strength of adjacent contrasts.

Let headlines span three to five columns. Arrange images in equal-width or staggered rectangular modules. Lock body text and metadata to the baseline, leaving roughly a quarter of the surrounding area as breathing room. Read from the large headline to the main image, then to short body text and page numbers. Allow one subject to cross a column boundary as the only grid break; align all other edges strictly.

Use matte flat backgrounds with extremely fine, even paper grain. Combine editorial photography, clean cutout subjects and hard-edge crops. Composite in this order: background, image blocks, cutout subject, overlapping type, fine annotations. Retain directional studio light and natural contact shadows. Permit limited overlaps without excessive shadows or dirty, aged textures.

Display lettering uses a narrow, high-contrast serif structure: vertically elongated forms, thin horizontal strokes, sharp wedge terminals and tight tracking. Edge cropping or imagery covering a small portion of a letter is allowed. Pair it with neutral sans-serif body text; use weight, width and generous line spacing for contrast. Give Chinese headlines the same narrow, high-contrast structure. Calibrate Chinese and Latin text by optical density rather than nominal font size, and keep body copy readable when projected. The overall mood is modern, playful, vivid, crisp, editorial and experimental.

Theme: If Su Shi were around today, would women be interested in him?
Ten images, 3:4 ratio.
Use: everyday Xiaohongshu posts.
Do not organize the content around sequence numbers.
Headlines: bold Songti-style serif.
Make all lettering clean and legible—large!
Include substantial information, vary each layout and avoid repetition.

Follow platform rules for generated content. Avoid sensitive or unauthorized portraits.