Temple Blade-and-Gauntlet Action Prompt

Video

Use one temple-courtyard reference for staged close-ups of a red-clad character drawing a blade and a white-haired character charging mechanical gauntlets, then continue into close combat and an energy collision. The roughly 30-second example illustrates two-part continuity, weapon states and a consistent setting. The edited variant allows a distant opponent in the opening establishing shot.

SeedDance 2.0

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Prompt

01 / 02

The two characters stand far apart at opposite ends of the courtyard and face one another. The opening establishing shot from 0.0 to 1.5 seconds may include the opponent at a distance; the subsequent individual close-ups must not contain both characters. The heroine stays on the left and always faces screen right. The man stays on the right and always faces screen left. Opposing eyelines establish the confrontation. Except in the opening establishing shot, neither character, reflection, shadow, silhouette, ghost image, nor blurred figure may appear in the other character's close-up.

[0.0-1.5s | Low-angle heroine entrance]
Start close to the wet paving at her high heels and red qipao hem, then push upward slowly. She holds a half-crouched draw stance on the left, weight low, body and gaze aimed to screen right. Her left hand stabilizes one red cherry-blossom scabbard at her waist; her right hand holds only the wrapped katana grip. The blade remains fully sheathed. Mountain wind moves the hem and hair ornament; puddles reflect her and the cherry tree. The heroine remains the main subject; a small, distant view of the opponent may establish their confrontation before her isolated close-ups.

[1.5-3.5s | Extreme close-up of hands and scabbard mouth]
Push quickly to her waist and hands. Show one physically correct katana assembly: one right hand on one wrapped grip, connected to one guard and one blade; one left hand on one red scabbard; the blade can leave only one scabbard mouth along one straight line. Her thumb nudges the guard and exposes only 3-5 cm of blade. Pink-white cherry energy appears between her right fingers, coils around wrist, grip, guard, and scabbard mouth, then flows along the edge as fine light threads and a few glowing petals.
No palm through blade, no gripping the blade, no fused grip and scabbard, no guard around the outside of the scabbard, no second sword, second grip, double blade, floating metal ring, or extra fingers.

[3.5-5.8s | Half draw, side close-up]
Track her right hand toward screen right as she draws slowly with force until half the blade is exposed. The right hand stays on the grip; the left fixes the scabbard. Grip, guard, blade, and mouth remain one continuous line. Clearly show the exposed blade separated from the red scabbard while its rear half remains inside. Cherry energy travels from her hand along the exposed edge as pink-white filaments, tiny petals, and slight spatial ripples. Effects must not hide the sword structure.

[5.8-7.8s | Full draw and heroine charge]
She snaps through the final draw. Use a brief speed ramp, then normal speed. Her right hand holds the one fully drawn katana; her left holds the completely empty red scabbard. The empty mouth is clearly visible with no grip, second sword, or residual blade inside. She rises and turns into a fighting stance facing right. Petals spin around the glowing blade and leave a short curved trail behind her. End on a side medium close shot; only the heroine is visible.

[7.8s | Hard cut]
Use one clean, fast hard cut with no dissolve or overlap.

[7.8-9.3s | Oppressive frontal close-up of the man]
Cut to the far end. The man stands alone on the right, facing the unseen heroine to screen left. Push from a slightly low frontal angle into his face. Preserve short white hair, black facial tattoos, earrings, and nose ring. His torn white long coat moves in the wind. He slowly raises two red-black mechanical gauntlets in their inactive state. The same courtyard, cherry tree, snowy cliff, and waterfall appear from the reverse direction.

[9.3-11.3s | Gauntlet charging close-up]
Hard cut to both fists. He strikes the two gauntlets together once at his chest. A short shockwave appears; red internal power lights from finger joints toward wrists while cold-blue lightning jumps between the gauntlets. Electricity must stay attached to the mechanisms, not become a shapeless full-frame glow. Mechanical fingers lock in sequence, power lines ignite, and a little white high-pressure steam escapes. Show exactly two gauntlets, two hands, and five mechanical fingers on each; no extra hands, arms, fingers, or fused gauntlets.

[11.3-13.5s | Macro mechanical transformation]
Orbit the right gauntlet. Outer armor slides apart on rails, pistons advance, gears mesh, and joint plates relock. The circular core on the back of the hand spins rapidly while blue current and red internal light pulse in alternation. Forearm armor extends and thickens; cooling fins deploy; the shape becomes a heavier combat gauntlet. The other gauntlet transforms in sync in the background. Keep the process continuous, mechanical, heavy, and free of extra parts or a third gauntlet.

[13.5-15.0s | Final charged pose]
Pull back to a low-angle full-body hero shot. He stands on the right, feet spread and center of gravity lowered, body and gaze clearly toward screen left. One charged fist is forward and the other pulled back. Controlled blue-red lightning coils around both. Wet paving trembles slightly and puddles form circular ripples. Make a small orbit and stop on a powerful ready pose. Only the man appears.

Follow platform rules for generated content. Avoid sensitive or unauthorized portraits.

15-second cinematic live-action action buildup. Use the real daytime ancient-temple courtyard in the reference image as the only setting: a giant old cherry tree, blue-black tiled buildings, wet stone paving with puddle reflections, distant snowy cliffs, and a huge waterfall. Preserve the architecture, spatial layout, natural light, and cool-warm palette. Photoreal cinematic quality, 4K HDR, realistic materials, and volumetric mist. Do not turn it into a cyberpunk city or night scene. The two characters stand far apart at opposite ends of the courtyard and face one another. The opening establishing shot from 0.0 to 1.5 seconds may include the opponent at a distance; the subsequent individual close-ups must not contain both characters. The heroine stays on the left and always faces screen right. The man stays on the right and always faces screen left. Opposing eyelines establish the confrontation. Except in the opening establishing shot, neither character, reflection, shadow, silhouette, ghost image, nor blurred figure may appear in the other character's close-up. [0.0-1.5s | Low-angle heroine entrance] Start close to the wet paving at her high heels and red qipao hem, then push upward slowly. She holds a half-crouched draw stance on the left, weight low, body and gaze aimed to screen right. Her left hand stabilizes one red cherry-blossom scabbard at her waist; her right hand holds only the wrapped katana grip. The blade remains fully sheathed. Mountain wind moves the hem and hair ornament; puddles reflect her and the cherry tree. The heroine remains the main subject; a small, distant view of the opponent may establish their confrontation before her isolated close-ups. [1.5-3.5s | Extreme close-up of hands and scabbard mouth] Push quickly to her waist and hands. Show one physically correct katana assembly: one right hand on one wrapped grip, connected to one guard and one blade; one left hand on one red scabbard; the blade can leave only one scabbard mouth along one straight line. Her thumb nudges the guard and exposes only 3-5 cm of blade. Pink-white cherry energy appears between her right fingers, coils around wrist, grip, guard, and scabbard mouth, then flows along the edge as fine light threads and a few glowing petals. No palm through blade, no gripping the blade, no fused grip and scabbard, no guard around the outside of the scabbard, no second sword, second grip, double blade, floating metal ring, or extra fingers. [3.5-5.8s | Half draw, side close-up] Track her right hand toward screen right as she draws slowly with force until half the blade is exposed. The right hand stays on the grip; the left fixes the scabbard. Grip, guard, blade, and mouth remain one continuous line. Clearly show the exposed blade separated from the red scabbard while its rear half remains inside. Cherry energy travels from her hand along the exposed edge as pink-white filaments, tiny petals, and slight spatial ripples. Effects must not hide the sword structure. [5.8-7.8s | Full draw and heroine charge] She snaps through the final draw. Use a brief speed ramp, then normal speed. Her right hand holds the one fully drawn katana; her left holds the completely empty red scabbard. The empty mouth is clearly visible with no grip, second sword, or residual blade inside. She rises and turns into a fighting stance facing right. Petals spin around the glowing blade and leave a short curved trail behind her. End on a side medium close shot; only the heroine is visible. [7.8s | Hard cut] Use one clean, fast hard cut with no dissolve or overlap. [7.8-9.3s | Oppressive frontal close-up of the man] Cut to the far end. The man stands alone on the right, facing the unseen heroine to screen left. Push from a slightly low frontal angle into his face. Preserve short white hair, black facial tattoos, earrings, and nose ring. His torn white long coat moves in the wind. He slowly raises two red-black mechanical gauntlets in their inactive state. The same courtyard, cherry tree, snowy cliff, and waterfall appear from the reverse direction. [9.3-11.3s | Gauntlet charging close-up] Hard cut to both fists. He strikes the two gauntlets together once at his chest. A short shockwave appears; red internal power lights from finger joints toward wrists while cold-blue lightning jumps between the gauntlets. Electricity must stay attached to the mechanisms, not become a shapeless full-frame glow. Mechanical fingers lock in sequence, power lines ignite, and a little white high-pressure steam escapes. Show exactly two gauntlets, two hands, and five mechanical fingers on each; no extra hands, arms, fingers, or fused gauntlets. [11.3-13.5s | Macro mechanical transformation] Orbit the right gauntlet. Outer armor slides apart on rails, pistons advance, gears mesh, and joint plates relock. The circular core on the back of the hand spins rapidly while blue current and red internal light pulse in alternation. Forearm armor extends and thickens; cooling fins deploy; the shape becomes a heavier combat gauntlet. The other gauntlet transforms in sync in the background. Keep the process continuous, mechanical, heavy, and free of extra parts or a third gauntlet. [13.5-15.0s | Final charged pose] Pull back to a low-angle full-body hero shot. He stands on the right, feet spread and center of gravity lowered, body and gaze clearly toward screen left. One charged fist is forward and the other pulled back. Controlled blue-red lightning coils around both. Wet paving trembles slightly and puddles form circular ripples. Make a small orbit and stop on a powerful ready pose. Only the man appears.